This is a film trailer I have developed for my 'Technology in the English Classroom' course.
It was a tedious process and I think I'm better off watching movies as opposed to creating them.
This is a bit I wrote about the process for the course, explaining my intentions:
The theme of the movie trailer circulated around the concept of hard copy books becoming obsolete. Although the point of the film is not to necessarily make a negative comment about technology itself, it it does speak to the issue of individuals preferring some of the mindless entertainment some video games offer instead of exercising their imaginations through books. I do realize that although technology does enhance many aspects of social interaction, it has taken away, to a degree, the beauty of owning printed literature. Printed literature can sustain when technology fails and I think that although technology is now an integral part of our culture, this should still be recognized.
The plot was simple and consisted of a character representing "the printed novel" and another character representing a child immersed in video games. The child ignores the novel until technology fails him and he is searching for an alternative method of entertainment. He remembers the book and finds her in the library where she has retreated.
Editing the footage was a simultaneously rewarding and frustrating experience. Although the software was advanced, at moments it was difficult to manipulate and very painstaking. However, I am very pleased with the final result of this trailer as it was only the second time I have ever dealt with editing original footage. It took awhile to decide what song was appropriate and which scenes to chose. Although some areas of the trailer may be a bit choppy or vague, I still believe than any audience with an open mind will be able to grasp its message.
Spurring from a deep-rooted obsession, this blog is dedicated solely to the art of film production. Its contents will range from critical analysis to thoughtful musings concerning films I find an interest in writing about. The views expressed within are merely my opinion on an extremely subjective medium. In the very least, I hope my comments encourage further discourse surrounding the cultural impact of films and the questions they pose regarding the human condition.
Monday, February 27, 2012
Sunday, February 12, 2012
The Broken Tower
Film: The Broken Tower
(Biopic)
Director: James Franco
Writers: James Franco (Screenplay), Paul L.
Mariani (Biography)
Stars: James Franco, Michael Shannon, Stacey
Miller
Despite my initial
apprehensions, I really enjoyed this film.
At first, I was a bit wary
because, like everyone, I went into viewing the film with biases and
expectations. And if a movie already breaches your expectations during
its opening scene, it’s often difficult to give it an opportunity to prove its
value. However, I am certainly glad I did. As I previously alluded to, I
found the film a bit uneasy to settle into…one, because I have read only
briefly about Hart Crane before viewing The Broken Tower, and two, it was a
black and white film with stark transitions and enduring scenes. But I
came to realize that perhaps that was the part of the beauty of the picture.
This film consisted of
fragments of a life of a troubled, brilliant, man. Hart Crane was a prominent
American poet during the early 1900s who committed suicide at the age of
thirty-two. The majority of the shots are overlapped by Franco narrarating with
Crane’s poetry.
Once you are able to
accept its long silences and appreciate the beauty of nature and humanity and
art, you can start to appreciate the film for its true, raw, quality.
Life is not always fast-paced and loud. It was interesting just to
watch the character (Franco as Crane) live in real time and respond to his
world in ways we all do, but usually in privacy. Alone, we often do
things that do not make sense or we merely spend quiet hours exploring our
world.
I also learned that this
was, in fact, a film that James Franco completed for his directing class at
NYU. Because it was a student film and it was completed on a modest
budget, it was even easier to understand its shortcomings and embrace it for
its literary and aesthetic merits.
The film is fragile and no
one should view it immediately with a critical eye. In fact, it would
certainly take several viewings to reach total comprehension…and even then,
Crane’s poetry makes this nearly impossible. Poets often write for
themselves and they are the only real audience that they care about. And
rightly so. It is quite rare for people to be willing to expose themselves to
such a degree. I find it astounded when individuals can translate their most
intimate thoughts and emotions into art. They don’t owe us an explanation
and we should not expect one.
The Broken Tower was in the very least, thought provoking.
Personally, I found it to be beautiful and quite brave for a director’s first
endeavor. This is certainly not film for everyone but definitely for those with an open mind, patience, and an affinity for poetry.
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